The purpose of this study is to provide an empirically grounded description of the role of the community college student. Drawing on sociological role theory, we articulate the largely unspoken expectations, beaviors, and attitudes to which student s must adher if they are to be successful.
It was in 2007 that I compiled the first Top 100 Tools for Learning from the votes of learning professionals worldwide and have done so every year since then. This year to mark the 10th anniversary I have compiled the TOP 200 TOOLS FOR LEARNING 2016. The full list appears in the left-hand sidebar; follow the links to find out more about each of the tools. The slideset of the Top 200 Tools is embedded at the bottom of this page.
In their initial study, authors Boston, Ice, and Gibson (2011) explored the relationship between student demographics and interactions, and retention at a large online university. Participants in the preliminary study(n = 20,569) included degree-seeking undergraduate students who completed at least one course at the American Public University System (APUS) in 2007. Two notable findings from the study were (1) the importance of transfer credit, and (2) the consistency of activity in predicting continued enrollment.Interestingly, the latter finding was confirmed upon the analysis of longitudinal data from the current study.Further related to the latter finding-yet unexpected, was the existence of new literature that, although subtle,affirms the importance for online institutions to conduct ongoing research on these topics. Readers of the current study are encouraged to refer to the preliminary study toward a comprehensive understanding of these nuances. Though informative, the researchers wished to validate the original study findings through longitudinal evaluation of retention.
Whenever a leadership transition is in the works, there is a fair amount of gossip about who will stay and who will go. Will the incoming leader vote everyone off the island and bring in a new team to ensure the loyalty of all lieutenants? Or will there be an effort to retain those who can support a smooth transition from the past to the future?
After witnessing quite a few leadership transitions — both inside and outside of higher education — I've discovered some secrets of the folks who seem to have Herculean staying power. I call them the "protected people."
I’d like to introduce you to Jennifer. Jennifer is 25 years old and is looking for a better job. She graduated from university in 2014 with a Bachelor’s degree in Psychology, spent a year overseas teaching English, and has been working at a coffee shop ever since.
Jennifer expected that the critical thinking skills she acquired in university, along with her work experience abroad, would help her land a ‘real job’, but so far, no luck.
Jennifer is not alone. According to Statistics Canada, the number of recent university graduates who are ‘underemployed’ is growing rapidly.
In 2011, 40% of women and 27% of men in the workforce, aged 25 to 34, had university degrees. This is up from 19% and 17% respectively ten years earlier. But, almost one fifth of these recent university graduates were overqualified for their jobs, and for Humanities Majors like Jennifer, the proportion goes up to about one third.
According to Beghetto, there are three major perspectives for including creativity in the classroom. The first is the “radical change” view that requires entirely rethinking the goals of the K–12 curriculum and the ways in which teachers teach. The second approach, the “additive change,” incorporates “extra” or “new” creativity activities to the current curriculum. Finally,
the third perspective, which the author argues for and illustrates in this book, is the “slight change” one. More specifically, the goal of the book is to show that teachers do not have to make radical changes in their present academic responsibilities to incorporate creativity in their classrooms; instead, “teachers [can] develop an understanding of the role of creativity in the
classroom, common challenges that get in the way of including creativity in one’s classroom, and practical insights for addressing those challenges in the context of one’s everyday teaching” (p. xii).
Question (from "Luanne"): I’m in a bullpen office with half a dozen adjuncts, some of us sharing desks, all of us crowded, overworked, and demoralized. But that’s not what I’m writing about.
"Dana" manages to make it so much worse with his chronic complaining. Every day there’s a new crisis — noisy plumbing, bad drivers, barking dogs. He hates the weather in our part of the country, and despises the local politics. His students, he rails, are all morons. And we, his colleagues, will never measure up to the world-class professors he knew at his Ivy League grad school.
He’s known as "Dana the Complainer" and making fun of him behind his back is a common pastime. I’m not happy with that. (I’m probably called "Luanne the Pollyanna.") I can’t get any work done, with his fuming and stomping around.
Why does art matter? To make art is a liminal act—it creates an active threshold between risk and reward, between waste and resource, between personal trauma and social redemption. Human beings tend to do far more than is needed to main-tain a natural equilibrium between our selves, our relations, and the environments we live in. We are catalysts. For better or worse, we make change, and that change requires something extra from us. Humans generate an excess of energy that must be expended and consumed one way or the other—either for personal or private gain, or toward the profi tless exercise of helping one another become more human (Rolling, 2015). It is risky business to make something from nothing, without the overt goal of adding to personal wealth or prior-itizing one’s national interests. Each aesthetic response, either to one another or to the materials at hand, is fraught with such risk because so much is invested. Who is the artist working for? Is it solely for his or her career? Or, with each intervention undertaken toward the enhancement of our better selves, is much more at stake than the present-day culture acknowledges or values?
Should copyright law lock down music and literature to protect the financial interests of rights-holders? Or should it promote broad access to, and use of, intellectual goods? These questions are at the core of the growing public debate over the need for fair and balanced copyright law, a debate that college and university students have a critical stake in. As creators and owners of copyright material (essays, articles, theses and multi-media productions), students need to protect their work from unjust appropriation. But to study, research, write and create new knowledge, students also need ready access, at a reasonable cost, to the copyrighted works of others. This tri-part perspective—of use, creation and ownership of copyright—gives students special credibility in the struggle for fair and balanced copyright law.
The main players in First Nations’ public finance agree on one thing: The present fiscal regime is
broken, and needs to be fixed. Many of the arrangements that govern aboriginal communities’
revenues, borrowing and spending date back to the 19th century, and remain riddled with
paternalism, uncertainty and inefficiency.
First Nations finances are on a far more fragile footing than other levels of government in
Canada. The provinces and territories obtain a significant portion of their revenues through
federal transfers -- such as the Canada Health Transfer, the Canada Social Transfer and
equalization payments -- based on negotiated and pre-determined formulas. These
jurisdictions, as well as municipalities, also generate substantial tax revenues from a variety of
sources.
Many schools are emphasizing typing and programming skills to prepare their students for the workplace of the future, but it isn’t just about being able to code.
Tour any IT department and you will find a web of servers and routers that store and disseminate information while firewalls and security systems keep the information safe. To most of us, this tech world is something we know we need and rely on, but have little knowledge of in terms of how it operates.
Should this disconnect of layman understanding of the tech world continue on a wide scale we could see a debacle in the workforce with a lack of qualified technicians. Luckily, there are schools and companies confronting this for new generations of students.
Current discussions about literacy often focus on how economic changes are raising expectations for literacy achievement. The emergence of a so-called knowledge economy or learning economy requires more people to do more things with print. Less attention has been given, however, to how the pressure to produce more literacy affects the contexts in which literacy
learning takes place. This article looks at the literacy learning experience of an autoworker turned union representative, a blind computer programmer, two bilingual autodidacts, and a former southern sharecropper raising children in a high-tech university town. It uses the concept of the literacy sponsor to explore their access to learning and their responses to economic and
technological change. Their experiences point to some directions for incorporating economic history into thinking about cultural diversity and for using resources in school to addresseconomic turbulence and inequality beyond the school.
Canada's post-secondary institutions are not producing enough graduates with the right skills to drive future economic growth, warns the head of one of the country's largest banks.
CIBC chief executive Victor Dodig told The Canadian Press in an interview Tuesday that much of the country's eventual economic success will be generated by entrepreneurs who commercialize new ideas and technologies.
When teachers think the best, most important way to improve their teaching is by developing their content knowledge, they end up with sophisticated levels of knowledge, but they have only simplistic instructional methods to convey that material. To imagine that content matters more than process is to imagine that the car is more important than the road. Both are essential. What we teach and how we teach it are inextricably linked and very much dependent on one another.
Massive Open Online Courses (MOOCs) are online courses that cater to a huge population. MOOCs have been around for quite some time; however, they have begun to gain importance only in recent years. With technologyinfused classroom instructions on the rise, techno-savvy students with little patience for hour-long (or even longer) lectures and the necessity to earn has led to the popularity of online courses among the student population. The obvious benefits of taking up online courses include, among others, self-paced learning, and learning while earning, and learning from absolutely anywhere. An upcoming form of online learning is the massive open online courses (MOOCs). This paper discusses the concept of MOOCs, their history, and their need in the present scenario. This paper also focuses on the benefits and the possible challenges that MOOCs face.
WHEN a story is passed on from one person to another, each man repeating, as he imagines, what he has heard from the last narrator, it undergoes many successive changes before it at length arrives at that relatively fixed form in which it may become current throughout a whole community. To discover the principles according to which successive versions in such a process of change may be traced, presents problems of considerable interest, both for psychology and for sociology. Moreover, precisely the same type of problems confront investigators who endeavour to study the diffusion of decorative and representative art forms, of music, of social customs, institutions, and beliefs, and in fact, of almost every element which enters into the varied and complex life of man in society.
Colleges and Institutes Canada’s (CICan’s) 2015 Survey of Institutional Capacity, Facilities and Equipment Needs confirms that colleges and institutes continue to be in great need of infrastructure support.
School leaders are faced with the daunting task of anticipating the future and making conscious adaptations to their practices, in order to keep up and to be responsive to the environment. To succeed in a rapidly changing and increasingly complex world, it is vital that schools grow, develop, adapt and take charge of change so that they can control their own futures.This paper will examine the tension that exists for school leaders in relation to data about their schools and their students, arguing that the explicit connections between data and large-scale reforms make it impossible to avoid a critical approach to data, drawing on research in Ontario and Manitoba in Canada, and examining parallels with evidence from research in England, to highlight the challenges involved in using data effectively in different political contexts and mandated policies on the uses of data.
Gemmell grew up on a berry farm in Stirling, Ont., watching his father fx or create whatever equipment he needed with whatever materials he had. It was a childhood that stoked his own passion for industrial design. (He once built an insulated dog house for the family pet, complete with a Plexiglas room with a view.) But when his portfolio of “backyard inventions” wasn’t enough to earn him a spot in the industrial design program at Carleton University, Gemmell ended up on a 13-year trek through life and higher learning. He earned a bachelor’s degree in visual arts and psychology at Brock University, worked for a year as a web designer in Toronto, but “wasn’t really feeling it,” so he spent a year in Whistler, B.C. snowboarding, and teaching snowboarding, until he ran out of money.
The 2015-16 academic year was one of numerous student protests demanding increases in the admission of
minority students and the hiring of minority faculty members -- not to mention numerous other measures to promote
inclusivity on campus.
But what exactly do students want? While some would say that the various lists of demands of campus protests
provide much of the information, two Dartmouth College professors disagree. On Tuesday they proposed on the
political science blog The Monkey Cage a new way of measuring student interest in different forms of diversity. And they tested their system on students at Dartmouth, an admittedly nontypical student body given that the college is highly competitive in admissions.