A fifth of Canadian postsecondary students are depressed and anxious or battling other mental health issues, according to a new national survey of colleges and universities that finds more students are reporting being in distress than three years ago.
Reports of serious mental health crises such as depression and thoughts about suicide also rose.
A drum circle is just one of the many activities at Mount Saint Vincent University in Halifax that focuses on Aboriginal heritage. Photo courtesy Mount Saint Vincent University
Every Catholic college and university in Canada has woken up to the call for truth and reconciliation between Indigenous Canadians and the rest of us.
If social movements are best conceived as temporary public spaces, as moments of collective creation that provide societies with ideas, identities, and even ideals, as Eyerman and Jamison (1991, p. 4) have argued, then educational researchers have much to learn from movements. Educational processes and contexts are crucial to the ways in which social movements ideas, identities, and ideals are generated and promoted, taught and learned, contested and transformed. Indeed, movements themselves are educators, engaging participants in informal education (through participation in movement activity),
non-formal education (through the educational initiatives of the movement), and even, sometimes, quasi-formal education (through special schools within movements). Moreover, movements are producers of knowledge that, when successful, educate not only their adherents but also broader publics (Crowther & Shaw, 1997; Dykstra & Law, 1994; Eyerman & Jamison, 1991; Hall, 2006; Martin, 1988; Stromquist, 1998).
Do you have anxiety? Have you tried just about everything to get over it, but it just keeps coming back? Perhaps you thought you had got over it, only for the symptoms to return with a vengeance? Whatever your circumstances, science can help you to beat anxiety for good.
Anxiety can present as fear, restlessness, an inability to focus at work or school, finding it hard to fall or stay asleep at night, or getting easily irritated. In social situations, it can make it hard to talk to others; you might feel like you’re constantly being judged, or have symptoms such as stuttering, sweating, blushing or an upset stomach.
data. Germany recorded close to a 7 percent increase in international students coming to the country. This follows a jump of nearly 8 percent the previous year. Numbers have risen about 30 percent since 2012.
In most English-speaking countries, this kind of news would have university finance chiefs grinning from ear to ear: more international students means lots of extra cash from hefty tuition fees.
But in Germany, students -- on the whole -- famously pay no tuition fees, regardless of where they come from. Seen from the U.S. or Britain, this policy may appear either supremely principled or incredibly naïve. With international students making up nearly one in 10 students (and even more if you count noncitizens who attended German schools), why does the country
choose to pass up tuition-fee income and educate other countries’ young people for free?
As the administrators in charge of orientation for new students in our graduate school, we were naturally apprehensive about welcoming them to a virtual campus this fall. Several months into the pandemic, everyone is suffering from “Zoom fatigue.” Glitches, awkwardness, boring content — by now, we’ve all experienced the bad side of videoconferencing. But with our campus staying virtual, our new-student orientation had to be online, too.
The ACHA-National College Health Assessment II (ACHA-NCHA II) is a national research survey organized by the American College Health Association (ACHA) to assist college health service providers, health educators, counselors, and administrators
in collecting data about their students' habits, behaviors, and perceptions on the most prevalent health topics.
ACHA initiated the original ACHA-NCHA in 2000 and the instrument was used nation wide through the spring 2008 data collection period. The ACHA-NCHA now provides the largest known comprehensive data set on the health of college students, providing
the college health and higher education fields with a vast spectrum of information on student health. A revised survey, the ACHA-NCHA-II, has been in use since the fall 2008 data collection period.
What will it take for students to succeed beyond high school? How are schools preparing students for the reality of
college-level work?
One method that has gained popularity in the United States is allowing students to take college-level courses that apply toward their high school credits and can also be transferred to colleges, if they choose to pursue postsecondary education. This is known as a dual-credit program, and it is widely used and popular in the United States.
In this paper we use co-constructed autoethnographic methods to explore the tensions that animate the meaning of “disclosure” in university and college environments. Drawing insight from our embodied experiences as graduate students and university/college course instructors, our collaborative counter-narratives examine the ordinary ways that disclosure is made meaningful and material as a relationship and a form of embodied labour. Our dialogue illustrates the layered nature of disclosure—for example, self-disclosing as a disabled student in order to access academic spaces but not self-disclosing to teach as an instructor. Katie uses phenomenological disability studies to analyze disclosure at the intersection of disability
and pregnancy as body-mediated moments (Draper, 2002). Nancy uses Hochschild’s (1983) notion of “emotional labour” to explore how socio-spatial processes of disclosure can be an embodied form of “extra work” (e.g., managing perceptions of stigmatized identities).
How do you teach the same concepts and skills to students with diverse abilities and interests? Different learning profiles? And how do you do that in real classrooms, with limited time to plan?
In an increasingly complex, networked, and rapidly changing world, creativity has taken a central role (Dortier 2015; Runco 2004). There is enormous interest in creativity in education, business, technology research, and emerging fields such as social innovation and design. Coupled with a proliferation of popular as well as academic discourses of creativity, this situation presents researchers with complex, multidimensional challenges that cannot be addressed exclusively from the perspective of one discipline. This new global context requires a transdisciplinary exploration of creativity, particularly since the articulation, expression, and practice of creativity appear to be in flux in society as well as in academia. The networked society, generational differences, and the focus on business innovation have turned attention to collaborative, distributed forms of creativity that have only recently begun to be studied systematically.
I recently overheard a faculty member talking about students, and it wasn’t good. She sounded very much like a conference presenter whom Melanie Cooper describes in a Journal of Chemical Education editorial. The presenter’s talk had a strong “students these days” undercurrent.
Sometimes we do need to vent. It isn’t easy teaching students who don’t come to class prepared, seem to always want the easiest way, are prepared to cheat if necessary, don’t have good study skills, and aren’t interested in learning what we love to teach. Venting, especially to a trusted colleague, helps us put things in perspective. At some point, though, venting morphs into
complaining, and what we say about students becomes what we think about them. And that's when it starts getting dangerous, because it affects how we teach.
Like most professors who teach composition, I require my students to write multiple drafts — three, in fact — of each essay. That’s not because three is a magic number. It’s just a number that fits well with the amount of time we have in the semester, and it reinforces the idea of working through multiple drafts. If there is a "secret" to good writing, I’m convinced, multiple drafts is it.
And, like most of my colleagues, I regularly have students work in "peer editing" or "workshopping" sessions where they read and offer comments on one another’s work.
None of this is groundbreaking pedagogy. In fact, it’s pretty standard fare for a college-level writing course.
Whether we can actually teach students critical-thinking skills is one of the most overlooked and misunderstood issues in higher education today, argues John Schlueter.
Several studies suggest that graduate students are at greater risk for mental health issues than those in the general population. This is largely due to social isolation, the often abstract nature of the work and feelings of inadequacy -- not to mention the slim tenure-track job market. But a new study in Nature Biotechnology warns, in no uncertain terms, of a mental health “crisis” in graduate education.
Our lives outside the academy never stop. Yet given the increasing demands on our time, particularly for scholars of color and others who are marginalized, how can we deal with stressful life events and not feel overwhelmed or overburdened?
One of the core principles of the Ontario Undergraduate Student Alliance (OUSA) is that all willing and qualified students should be able to attend post-secondary regardless of their ability to pay. However, students in Ontario face the
highest tuition fees in the country and the cost and perceived costs of post-secondary education are consistently identified as barriers to post-secondary education. These barriers are contributing factors to the persistently high attainment gaps for various vulnerable groups in pursuing an undergraduate degree.
Punctuation is really an elementary and intuitive idea. Sentences are written down as a linear sequence of characters that (mostly) represent speech sounds. Punctuation marks are inserted in the sequence to signal certain aspects of the structure of their covert grammatical structure; they do what those little musical interludes do in NPR’s Morning Edition program.
The idea for sharing this post came from a session I recently conducted at the annual teaching conference organized by my university. A pedagogical conundrum was raised by a colleague whose enthusiasm and question stayed with me and inspired me to write this post. The question posed by this colleague is relevant to all instructors who have ever used group work to assess their students: How should one deal with the issues that arise when members of a group are not picking up their share of the responsibilities during a group work project?
What will you be expected to publish from your dissertation?