Five years ago, two administrators at Southern Utah University worked evenings calling hundreds of students who had dropped out to ask them why. The causes, they learned, weren’t exactly surprising: financial challenges. Family problems. Poor fit. The usual reasons students leave without a degree. But after students repeatedly said they didn’t know where to go or who to talk to about their reasons for leaving, the administrators had a revelation.
“This was Generation Z arriving on campus,” said Jared Tippets, vice president for student affairs. “They’re going to engage and interact with us differently. They’re not going to come and say, ‘I’m struggling. Can you help me?’ We learned through that process that we better start creating authentic relationships with students.”
Black students continuously experience, fight against and bear emotional scars from
racism, which can lead to increased anxiety and poor mental health outcomes. Some
colleges are just starting to address these issues.
Students are at increasing risk of mental health problems, and universities are struggling in their efforts to respond.
Before the pandemic descended and emptied its hallways, the Davis Building at the University of Toronto’s suburban Mississauga campus (UTM) was a busy hub of academic and social life, and the students walked with a briskness that matched the pace in any urban rail station. The campus’s Health and Counselling Centre (HCC) is just down a set of stairs, in the basement of the building. Last November, a young woman went there after struggling with feelings of being overwhelmed and anxious about living up to academic demands and grappling with unresolved trauma. Anushka* was experiencing suicidal
ideation that culminated in a specific plan involving a bottle of pills that she carried in her backpack.
Colleges are wrestling with the financial havoc and technological logistics of a hellish year. But 2020’s Covid-19 pandemic and increased racial strife are also prompting revisions in college curricula. The nation is traumatized, and the content of academic programs, not just how they are delivered, must reflect that reality, said college leaders, students, faculty
members, and higher-education experts who spoke with The Chronicle.
“We need not just mourn with our students but empower them to understand the context of the moment, the history of their community, and ways they can be active agents in improving society,” said Melanye Price, a professor of political science at Prairie View A&M University, a historically Black institution in Texas.
The quick transition to remote and hybrid learning in higher ed has highlighted needs that only technology can address.
When face-to-face learning and teaching screeched to a halt back in March, educators did their best to cobble together digital tools to get them through the spring’s online teaching sprint. Now, with the pandemic’s end nowhere in sight, that educational mad dash has Custom content sponsored by Microsoft turned into a marathon. And just like endurance runners, educators are discovering they need top-notch equipment to help them stay the course.
While there is a tremendous amount of value to being able to see your students’ faces during distance learning, we can’t force them to be on camera, just as during in-person teaching, we can’t force unengaged students to lift their heads or remove hats or hoodies that obscure their faces.
With experimentation and persistence, however, you can arrive at strategies that work. Whether they need options, encouragement, or trust in order to turn their cameras on, there’s likely a solution that is the right fit for your classroom, circumstances, lessons, and students.
Teaching in a hybrid in-person/remote model requires significantly more planning than teaching in the traditional classroom model. Tasks that were once quick, such as monitoring students’ progress during class and following up on late and missing
assignments, have become laborious, and everyday activities like making sure that students have access to material from the school library and determining the best technology tools to meet students’ needs take a tremendous amount of planning. More than ever, it’s important that I use my time efficiently and allow myself time to recharge.
So here’s an interesting question: How do you effectively connect with students, form relationships, and be present in their lives in an online platform? Community is such a valuable commodity that is often overlooked. Students want to know their facilitator will support them, be active in their course, and create a sense of belonging. “Instructorstudent relationships lie at the heart of humanizing, serving as the connective tissue between students, engagement, and rigor” (Pacansky-Brock, Smedshammer, and Vincent-Layton 2020, 2). We must never underestimate the impact of authentically relating to our online students.
Online learning can feel very isolated and stressful for our learners. Many are raising families or are single parents working full or part time jobs, dealing with aging parents or sick siblings, or working through a major crisis in their life—all while completing their education in a virtual setting.
If you’re teaching in the hybrid model, as I am, you’re likely facing an array of challenges as you try to keep students who are in the physical classroom and those who are remote on track.
I see it every day: Students receive an overwhelming amount of emails and other digital communication throughout the day that need to be organized, and students who work remotely don’t have the benefit of reminders posted around the classroom, in-person reminders from their teacher and peers, or the bells ringing to tell them it is time to transition from one class to the next. Further confusion can be introduced when some are at school one day and at home the next, and among students who shuttle among parents, babysitters, and other caregivers throughout the week.
As so many of us try to juggle teaching virtually or in a hybrid format this year, I’ve decided to focus my energy on technology that will help me no matter the setting. These three tech tools have had a huge impact on me, my staff, and my students.
Because of pandemic-induced distance learning, planning lessons and remaining connected with students involves an increasingly sophisticated understanding of the benefits and potential problems with edtech resources. As a veteran teacher and instructional coach with years of experience in edtech, I’ve seen it over and over again: Teachers’ inboxes and social media news feeds are inundated with advertised tech products, and it’s hard to know what will enhance the learning experience for our students, whether they use the tool in class or remotely.
There are a host of factors that educators need to consider when choosing edtech tools and resources that will support their students and instruction.
This qualitative case study uses the Capability Approach (CA) as a framework for experiential learning courses in the Faculty of Arts Humanities and Social Sciences at the University of Windsor, in Ontario, Canada. Specifically, this is a case study of two courses titled Ways of Knowing and Ways of Doing that are offered as undergraduate general credit electives. In this paper, we describe the case study context and provide a brief introduction to the CA. The lead author presents the case study courses' pedagogical framework and describes the materials and methods of the case. Next, we provide a summary of the data collection and analysis alongside thick descriptions of the CA in the context of the case. In the final section, we share reflections for further discussion.
Keywords: Canada, Capability Approach, curriculum, decolonization, experiential learning, higher education, HDCA, liberal arts, Ontario, Strategic Mandate Agreement
We know that the pandemic has led to an increase in depression and anxiety. But which groups are most at risk and why? What are the policy and service delivery adaptations that can reduce the burdens of social isolation, financial stress and fear of the unknown? What are the coping measures that are helping families and communities to be resilient? Across Canada, university researchers are working to understand the particular psychosocial effects of the pandemic, discovering concerning ripple effects – and also reasons for hope.
When we were told in March that we would be teaching from home, most of the discussion between us, our institutional colleagues, and our larger network of academic peers on social media became focused on how to keep students engaged as we all moved to a remote, alternate-delivery style of teaching. Over the end of the winter term and through the summer, we tried many of the suggestions that emerged from these discussions, including breakout rooms, flipped classes, synchronous and asynchronous delivery methods, and collaborative tools such as Jamboard, Discord, and more. Our hope was that these new
strategies, combined with the handful of our face-to-face strategies that could translate over synchronous remote delivery, would be enough to keep students engaged. Sometimes they have worked (very active text-based chat, active and varied questions during class, consistent attendance rates), sometimes not so much (students not using discussion platforms, silent breakout rooms, so many procedural questions during Aaron’s first online test).
When I write CIHR grant applications, it’s easy for me to argue that my project is important: it’s because of the impact my work will have on the health of Canadians. But when I write SSHRC grant applications, I can’t make that same argument, because the reviewers would think I’ve applied to the wrong funding agency. How do I argue to SSHRC review committees that my work is worth funding?
Dr. Editor’s response:
The Social Science and Humanities Research Council of Canada – while specifying different criteria for different competitions – is generally looking to fund projects that are significant, important, and valuable.
In SSHRC’s Insight Grant competition, for instance, their evaluation criteria are “challenge,” “feasibility,” and “capability”. As part of the “challenge” criterion, they’re considering the “originality, significance, and expected contribution to knowledge” of the project; under the “capability” criterion, they’re considering the “quality, quantity and significance of past experience and published and/or creative outputs” (see SSHRC Insight Grants). Other SSHRC competitions want to know about your top five “most significant career research contributions” (see SSHRC Partnership Grants).
Dear parent of a university student,
You might want to sit down because I’ve got news you’ve dreaded for some time: your child has enrolled in a creative writing course.
I know it’s scary. As the course’s instructor, I’ve heard the same stories you have. On the street, they call creative writing the most potent of the humanities’ gateway drugs. Students get their first hit, and before you even have time to threaten to cut them out of the will, they’re writing every text message as a haiku and studying Soviet film.
Your child might have already hinted to you that creative writing was a possibility. They might have mentioned something called a “workshop.” You probably laughed, because the poets and novelists whose photographs you’ve seen in newspapers seldom look like they know how to work much of anything, never mind a drill or power saw.
You might be angry with the university for allowing your child to take a creative writing course. You might be angry with me for teaching it. Let me assure you: in class, I do everything possible to pull back the curtain on creative writing. We talk about how hard it can be put anything on the page without lapsing into clichés. I explain just how much there is to learn about things like form, style and genre. I tell them what a misery it can be to sit alone at a keyboard for hours, moving words around.
I say these things, but every year, students keep signing up for the course. They just seem to love writing. They seem to love it even though it involves struggle. Maybe because it involves struggle. They seem to relish the challenge of describing the world closely; of imagining how it could be different; of treating language as a puzzle and a game; of discovering new things about themselves. Sometimes, getting the right words in the right order feels impossible, but they seem to think that it can be important work.
Branding is the exercise of summarizing an organization’s culture to attract a particular type of employee, collaborator or funder.
Like it or not, branding and self-promotion are an integral part of science. Our training might focus primarily on how to do science, but that isn’t enough; we also need to promote ourselves and our findings in order to persuade others to fund and collaborate on our research, and to highlight the value of our discoveries so we can broaden their reach.
It’s always been this way. The financial support of scientific discovery was historically provided by wealthy patrons who typically backed an individual or a handful of scientists who had to market themselves to get attention (The financial cost of doing science). These days, the role of individual patron has been assumed by diverse government, philanthropic, and private sources of grant funding, and it’s our peers who we have to impress, via the peer review process.
Following an incredible two-decade run of growth, Canada is now home to the third largest population of international students in the world, with over 642,000. That includes a sixfold increase seen since 2000, with a tripling in numbers over the last 10 years alone.
To maintain that momentum amidst the current challenges of COVID-19, it will be crucial for universities to continue to stay on top of their international student admissions.
Educational Credential Evaluators has expanded their services across the border to assist Canadian universities and their applicants with international educational credential assessments.
While new to Canada, ECE has been a trusted name in assessments in the United States for 40 years. In that time ECE has served over 2,000 institutions and completed over 600,000 high-quality reports, with over 35,000 completed in 2019 alone.
Depending on their needs, students seeking to further their education in Canada can choose from three different types of academic assessment report: a General Assessment Report, a General Assessment Report with Grade Average, or a more thorough Course-by-Course Assessment Report.
Anger is "an emotional state that varies in intensity from mild irritation to intense fury and rage," according to Charles Spielberger, PhD, a psychologist who specializes in the study of anger. Like other emotions, it is accompanied by physiological and biological changes; when you get angry, your heart rate and blood pressure go up, as do the levels of your energy hormones, adrenaline, and noradrenaline.
Anger can be caused by both external and internal events. You could be angry at a specific person (such as a coworker or supervisor) or event (a traffic jam, a canceled flight), or your anger could be caused by worrying or brooding about your personal problems. Memories of traumatic or enraging events can also trigger angry feelings.
Now that we are into the realities of teaching in a COVID-world, I keep hearing similar sentiments from my colleagues, something to the effect of, “It’s going fine, but I don’t feel like a good teacher anymore.” What I hear in these statements is not a bad teacher but one who has lost confidence in their teaching. Whether teaching fully online, a hybrid model, or in-person with social distancing requirements, everyone has had to make changes to the way they teach. The pedagogical style and practices that we previously relied on are either no longer an option or are not as effective given the current constraints. So, we have
adapted, learned the technology, and made necessary adjustments. We’re doing it, but we don’t feel like we’re doing it well. We’ve lost our confidence, and thus feel like we’re not good teachers anymore. The good news is that we don’t have to wait for teaching to return to “normal” to feel like good teachers again. We can start to feel confident again by building self-efficacy in our own online or hybrid teaching.