For years, many academics have questioned the importance — even the justice — of requiring college students to master standard English. The discussion 20 or 30 years ago was about a student’s right to his or her own language — the implication being that the rest of us have no right to impose "our" language on those who are not native or proficient speakers. More
recently we’ve heard claims that the English language is itself discriminatory, even racist.
Dear parent of a university student,
You might want to sit down because I’ve got news you’ve dreaded for some time: your child has enrolled in a creative writing course.
I know it’s scary. As the course’s instructor, I’ve heard the same stories you have. On the street, they call creative writing the most potent of the humanities’ gateway drugs. Students get their first hit, and before you even have time to threaten to cut them out of the will, they’re writing every text message as a haiku and studying Soviet film.
Your child might have already hinted to you that creative writing was a possibility. They might have mentioned something called a “workshop.” You probably laughed, because the poets and novelists whose photographs you’ve seen in newspapers seldom look like they know how to work much of anything, never mind a drill or power saw.
You might be angry with the university for allowing your child to take a creative writing course. You might be angry with me for teaching it. Let me assure you: in class, I do everything possible to pull back the curtain on creative writing. We talk about how hard it can be put anything on the page without lapsing into clichés. I explain just how much there is to learn about things like form, style and genre. I tell them what a misery it can be to sit alone at a keyboard for hours, moving words around.
I say these things, but every year, students keep signing up for the course. They just seem to love writing. They seem to love it even though it involves struggle. Maybe because it involves struggle. They seem to relish the challenge of describing the world closely; of imagining how it could be different; of treating language as a puzzle and a game; of discovering new things about themselves. Sometimes, getting the right words in the right order feels impossible, but they seem to think that it can be important work.
Purpose/Objective: This study documents the ways in which successful, award-winning teachers function creatively in their classrooms. It investigates their beliefs about creativity in teaching—what “creativity” means, and how skilled teachers instantiate it in classroom practices. Finally, this research examined the teachers’ personal creativity (in terms of creative pursuits, hobbies, and habits of mind) and the practical ways this translates into teaching.
Student evaluations of teaching, or SET, aren’t short on critics. Many professors and other experts say they’re unreliable -- they may hurt female and minority professors, for example. One recent metastudy also suggested that past analyses linking student achievement to strong evaluation scores are flawed, a mere “artifact of small-samplesized studies and publication bias.”
Now one of the authors of that metastudy is back for more, with a new analysis suggesting that SET ratings vary by course subject, with professors of math-related fields bearing the brunt of the effect.
Do we communicate more with students in writing than we used to? I think so. In addition to the course syllabus, the usual handouts, and written feedback on papers, projects, and performances, we now share all kinds of electronic messages with students. We exchange emails, post announcements on course management systems, and participate in online discussions. Those who use PowerPoint tend to make rather text-heavy slides. And if you happen to teach online, then virtually all your communication with students occurs via some written format.
While more information than ever is available about autism, there are still prevalent stereotypes: The “Rain Man” stereotype of the severely impacted person with savant skills, and the less severely impacted “Bill Gates” stereotype, a scientifically or mathematically brilliant person with limited social skills.
Stereotypes, by definition, are oversimplifications, which means that many layers and nuances are frequently missed.
This paper evaluates the validity of teaching English grammar to preservice teachers in a teacher education course at a regional university. The course was delivered in blended mode using the grammar component of My Writing Lab Global (MWLG) and face-to-face instruction. The aim of this study was to establish if there are benefits to derive from teaching knowledge about language (KAL) to preservice teachers. Our quasi-experimental study found MWLG was well-received by participants who believed it had improved their KAL; this improvement was confirmed by 10% improvement on a pre and post KAL test (p < .001). MWLG scores and the KAL test also reliably predicted other academic competencies: the students’ accumulated GPA and their final written assessment scores for the course (r= .4 to .54; p < .01). Collectively, these findings suggest that explicit KAL is valued and valid knowledge and should be included in teacher education programs.
We know that the pandemic has led to an increase in depression and anxiety. But which groups are most at risk and why? What are the policy and service delivery adaptations that can reduce the burdens of social isolation, financial stress and fear of the unknown? What are the coping measures that are helping families and communities to be resilient? Across Canada, university researchers are working to understand the particular psychosocial effects of the pandemic, discovering concerning ripple effects – and also reasons for hope.
No matter how much we debate the issue, end-of-course evaluations count. How much they count is a matter of perspective. They matter if you care about teaching. They frustrate you when you try to figure out what they mean. They haven’t changed; they are regularly administered at odds with research-recommended practices. And faculty aren’t happy with the feedback they provide. A survey (Brickman et al., 2016) of biology faculty members found that 41% of them (from a wide range of institutions) were not satisfied with the current official end-of-course student evaluations at their institutions, and another 46% were only satisfied “in some ways.”
What Do Colleges and Universities Want Students to Read Outside Class?
Background/Context: Since the 1970s, researchers have attempted to link observational measures of instructional process to
student achievement (and occasionally to other outcomes of schooling). This paper reviews extensively both historical and
contemporary research to identify what is known about effective teaching.
Background/Context: Since the 1970s, researchers have attempted to link observational measures of instructional process to
student achievement (and occasionally to other outcomes of schooling). This paper reviews extensively both historical and
contemporary research to identify what is known about effective teaching.
Purpose/Objective: Good, after reviewing what is known about effective teaching, attempts to apply this to current descriptions
of effective teaching and its application value for practice. Good notes that much of the “new” research on effective teaching has simply replicated what has been known since the 1980s. Although this is not unimportant (since it shows that older findings still pertain to contemporary classrooms), it is unfortunate that research has not moved beyond the relationship between general teacher behavior (those that cut across subject areas) and student achievement (as measured by standardized tests). How this information can be applied and the difficulty in using this information is examined in the paper.
Elizabeth Warren, it turns out, was a great professor. That’s one of the key takeaways from Rebecca Traister’s fascinating essay, published last month, on the subject of what Warren’s pedagogy means for her political prospects. Traister quotes former students who still rave about Warren’s courses. But the piece is interesting for more than just its recap of her teaching excellence,
One thing about student evaluations that troubles me is how they give students the impression that it’s the teacher who makes or breaks the course. A few instruments query students about their own efforts, but I’m not sure those kinds of questions make it clear that what happens in any course is the combined result of teacher and student actions. Early in my teaching career, I heard a wise colleague tell students, “It’s not my class. It’s not your class. It’s our class, and together we will make it a good or not-so-good learning experience.”
I’m a strong believer in the benefits of students studying together, even though students don’t always understand or even experience the benefits. Oftentimes the potential gains of group study sessions are compromised by student behaviors. Students will saunter into study sessions, mostly not on time, sit around, check their phones, and socialize. When they finally start reviewing their notes, the text, or the homework problems, it’s all pretty superficial.
There are very few questions, explanations, or confessions of confusion. The most intense conversation takes place over what they’ve heard from others about the exam and their hopes that it will be easy.
Welcome to Teaching, a newsletter from The Chronicle of Higher Education. This week Dan describes one reader’s intriguing idea to improve course evaluations, Beckie shares how some of you make use of brain research in your teaching, and we look at the month ahead.
When I was an advanced graduate student preparing to take my chances on the academic job market, I approached the head of the freshman-writing program for a recommendation. "What do you want me to say about you?" he asked.
The question caught me off guard. No professor had ever asked me that before. Without thinking, I told him to describe me as a "teacher-scholar." It made sense at the time, and decades later, I still see myself as some combination of teacher and scholar. So do most of us in academe, I believe — although scientists might prefer a term like "teacher-investigator." ("Investigation" was the all-purpose word used in 1891 by William Rainey Harper, the president of the newly established University of Chicago, to describe what professors would do there once the place opened.)
As a former university professor, and as a historian of higher education, I’m gratified (mostly) by the vigilant defence of academic freedom proffered by journalists and others in the wake of the Andrew Potter episode at McGill University. Academics who speak or write controversially should be protected, not sanctioned.
Still, there is too little understanding of what academic freedom means. It is not absolute and it is not the simple equivalent of “freedom of speech.” All citizens have, or should have, the latter, but only individuals who have specified educational and professional qualifications are entitled to academic freedom within universities. In the words of the Canadian Association of University Teachers (CAUT), they are granted the “freedom to teach and discuss; freedom to carry out research and disseminate and publish the results thereof; freedom to produce and perform creative works; freedom to engage in service to the institution and the community; freedom to express one’s opinion about the institution, its administration, and the system in which one works.”
The longer I teach (I’m now in my 32nd year) the more I’m convinced that the best thing we can do for our students is help them learn to think for themselves.
That involves explaining what critical thinking actually means — a step I fear we often skip — as well as equipping them with the requisite skills. That’s why I recommend talking to students on the first day of class about critical thinking. What is it? Why is it important? How can they learn to do it?
What follows is an example of my opening-day remarks. For graduate students and Ph.D.s new to teaching, if this talk resonates with you, feel free to adapt it for your own classrooms.
Generally, data mining (sometimes called data or knowledge discovery) is the process of analyzing data from different perspectives and summarizing it into useful information - information that can be used to increase revenue, cuts costs, or both. Data mining software is one of a number of analytical tools for analyzing data. It allows users to analyze data from many different dimensions or angles, categorize it, and summarize the relationships identified. Technically, data mining is the process of finding correlations or patterns among dozens of fields in large relational databases.